What is the difference between 6/8 and 3/4

If you're referring to Mull of Kintyre then I would disagree. It's not a jig. The style he was emulating is a lilting simple triple time, similar to that of the Sky Boat Song, or Ye Banks and Braes and many other Scottish traditional songs.

Edited 1 time s. Sorry, I'm just having a hard time wrapping my head around this. If I were playing a constant beat to mull of kintyre, I'd be playing if you know what I mean, duple just doesn't work. Thanks : Reply Quote. Just to be clear we're talking about the same thing, do you mean you'd have your 9 sub beats fitted into the phrase "Mull of Kin" with "tyre" starting the next 9?

But swing is rarely that precise or consistent. It's much more vague and flexible - that's the beauty of it I guess. Edited 2 time s. So I guess it's all about the beat inbetween right? Am I getting closer? Not to make things murkier, but these time signatures tend to have different meaning depending on the style you're playing. This probably doesn't answer your question, but getting a good feel for the tune will go a long way in figuring out the proper accents, counting scheme, and time signature.

I think so. This a question about the best I clearest way of notating the sound of a piece of music. How clearly stated are those beat divisions in the music itself? In Mull of Mintyre, this is not the case. I don't hear any triplets on any of the beats. It's true they're kind of implied - you could fit triplets into each beat - it would sound a little unnatural, but not as unnatural as two equal 8ths. This is not accurate of course - it would sound very stiff to actually play or sing it that way.

One thing that distinguishes swing feel from triplet rhythms is as Fretsource says: it's flexible. It's never exact triplet values except at quite slow tempos. The faster the tempo, the more swing 8ths approach equal 8ths. You can hear exact triplet values in blues shuffles - a different feel from swing. The other thing is much as you're saying: you only really hear the 3rd note of any supposed triplet.

There's only ever 2 subdivisions per beat; it's just that the first one is longer than the second. Of course, melodies and solos may often introduce triplets on a beat, without the feel sounding like it's being disturbed. Just as misleading as equal 8ths if you take it literally, but few readers of the music would do that with either. Good question but please ask it in a new thread. RE:Why hello there! Time signatures are how we communicate meter on the written page.

Meter is simply the organization of beats into patterns of weak and strong accents. In some cases meter can become quite complex. Compound meter is a meter that may have two or more ways of organizing counting the beats and accents. I think what needs be assessed when trying to determine the time signature is first the foreground accents and second the background pulses. It consists of two strong accents per measure, with a total of four beats.

In the following tune, you could count it in 4: [ youtu. Perhaps there is another way to count this, though? Maybe the meter is better thought of as 2, with a special accent on the first beat of every two measures to accent the beginning of the antecedent phrase: S s S s. Experiment: set a metronome to around -- this is the basic pulse, the rhythmic undercurrent or background. First start counting it Improve this question.

Nick Nick 1, 3 3 gold badges 10 10 silver badges 17 17 bronze badges. Other than that, you would also notice the difference in terms of strong beats. You would thus notice a difference which would resolve every 3 bars. Sorry that was unclear. No it isn't - it's exactly the same!!

Add a comment. Active Oldest Votes. But time signatures are not fractions. Improve this answer. Chochos Chochos 1, 11 11 silver badges 13 13 bronze badges. It's all relative to the bpm, and how it's physically divided on a piece of sheet music.

It's like there's no common consensus.. Brian Chandler Brian Chandler 2, 13 13 silver badges 14 14 bronze badges. I mean why botter making a piece written in 2 times a doted crotchet.

The note value could have been a simple crotchet with a slightly slower tempo. They are very different. Boy Mr. Boy 9, 24 24 gold badges 84 84 silver badges bronze badges. Dave Dave Carl Witthoft Carl Witthoft O -kay by me in A- mer -i- i -ca. It's because the implied different beats and different eighth note grouping. MeanGreen 4 4 silver badges 17 17 bronze badges.

We could write it like this: We may count it like "1 and 2 and 3 and", where the "and"s are the eighth notes in between. We could write it like this: We may count it like "1 la li 2 la li", where the "la"s and the "li"s are the eighth notes in between. Claudiu Claudiu 9 9 bronze badges. Joshua Siktar Joshua Siktar 89 6 6 bronze badges. There's a big distinction you are missing. Check the other answers. The secret to recognizing a basic time signature is two-fold: First, figure out whether it is simple or compound.

Second, ask whether it is duple, triple or quadruple. Remember that musical notation is a system of communicating through symbols and so the process of making music is smoother if those symbols are clear to understand.

Can you have more than 4 beats in every bar? Yes, of course. In this lesson we mentioned duple meters 2 beats per bar , triple meters 3 beats per bar and quadruple meters 4 beats per bar because these are the basic time signatures. BUT we can have as many beats per bar as we need. These time signatures are known by other labels. The most common of these is probably quintuple meter: five beats in every bar. Apart from simple and compound, are there any other types of time signatures?

Yes, there are many different types. Most musical genres still use simple and compound time signatures but there are others such as complex, odd, irrational, additive and fractional. Skip to content Almost all students have difficulties with time signatures at some point.

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